Voyeur #6

Newsgroups: alt.sex.movies
Subject: Review and Sale: The Voyeur #6
From: [email protected] (42nd & 8th)
Date: Tue, 12 Mar 1996 14:43:42 GMT

John Leslie's The Voyeur #6, just released on March 6, is now
available at our site for the incredible price of $31.95!!! This is a
members price, but membership is only $10 for a 1-month trial ($25
lifetime), and it entitles you to discounts like this all the time
(new movies added each and every day, not twice a year like so many
sites). We are also offering a package deal on the other films in the
Voyeur series (buy any 3 at $28.95 each, or all 6 at $25.95 each). All
titles are in stock and ready for immediate delivery. Order today,
we'll ship it by tomorrow.

With the somewhat embarassing plug out of the way, here's our
overview of Vol. 6:

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JOHN LESLIE'S THE VOYEUR #6

STARRING: Nikki Brantz, Tricia Deveraux, Celine Deavoux, Johnni Black,
Valentine, Blake Mitchell, Lovette, Carole Dubois, and Paisley Hunter

RELEASE DATE: March 6, 1996

PROD. CO.: John Leslie Productions / Evil Angel Video

There are 6 main segments in this installment of the series (7, if you
count Valentine's as 2, but more on that in a minute). The first
features Celine Deavoux, sporting a pierced naval and shaved pussy
(except for a quarter-sized patch right above her clit). She handles
two guys here, with lots of oral, some tit-fucking and assorted
positions. Both guys jerk off on her face and in her open mouth. (No
anal in this scene)

The second segment features Tricia Deveraux and Nikki Brantz in a
b/g/g. There's some good close-up anal fingering of Nikki, followed by
a slow anal from behind over the side of a couch. This part of the
segment works best after Tricia swings herself around and plants her
butt right on Nikki's face. There is also a terrific shot of Tricia
sliding down onto the guys' shaft (anal insertion) from above. She
looks pretty good here --- kind of plump, with nice, full tits. The
two girls share an oral cumshot.

Segment three features Valentine in a tight opal dress first posing
then, later, fingering herself, then finally riding the hell out of
stiff cock from above. This scene is intercut back and forth with her
and Blake Mitchel, who appears in her familiar hat-wearing, strap-on
weilding attire, in a bathroom. Blake still looks awfully good to me,
and I found this to be one of the most erotic portions of the tape.
Blake screws Valentine from behind over the sink, sticks the dildo in
her mouth while she's on the toilet, and finally drills her quite hard
from behind on a couch while pulling on her hair. The segment ends by
cutting back to the guy, who comes on Valentine's face.

Segment four is Johnni Black, a frizzy bottle-blonde California type
who masturbates with a pool cue (no insertion) then sucks and fucks
Sean Michaels and some other black guy, including anal and a D.P. from
behind. This one ends in a nasty, gooey, messy cumshot as both guys
jerk off on her face.

Lovette, a blonde with hard, enhanced tits but a nice,
well-proportioned frame, takes center stage for segment 5, and she,
too, does 2 guys, including anal, an aborted attempt at a standing
D.P., and a D.P. from behind that results in dual cumshots, with one
guy squirting up on her pussy from below and the other dripping down
onto her ass from above.

The final segment features Carole Dubois and Paisley Hunter (who are
IMHO the best-looking girls on the entire tape even if, again IMHO
Carole has a bit of a fucked-up haircut and Paisly is looking a little
pudgy around the middle here) with 3 guys. There are some great shots
of Paisley on her knees sucking, including a very impressive
deep-throat sequence. Paisly also gets the award for taking the
hardest pounding in the film, as she is pummeled from the side and
from below, all the while getting smacked on the ass so many times
that she's red as hell for the rest of the scene. Carole looks good,
even though she never takes off the top of her see-through catsuit.
Paisley does a reverse-cowgirl anal, and the 3 cumshots are all over
the girls' faces.

The setting for the film is a gorgeous house (Leslie's?), which makes
the whole thing better even than it would have been in a studio, and
Leslie's lighting and camerawork continue to be first rate. Another
plus here is no annoying pinball parlor music like that which infests
so many lesser quality vids.

My only gripe is with the cuts away from Blake Mitchell; I would have
preferred to watch that scene straight through (and to have been given
more of it.)

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