Anal Candy Ass

Newsgroups: alt.sex.movies
Subject: Dunbar Review #118: Anal Candy Ass
From: [email protected] (Jamal Dunbar)
Date: Fri, 22 Mar 1996 06:52:28 UTC


# Anal Candy Ass
c 2.70 10/94 Rosebud, Rex Borsky
. Heather St. Claire, Tom Byron
. Norma Jeane, Micahela Adkins, Tom Byron, T.T. Boy
  Juli Ashton (Austin), Joey Silvera
. Heather St. Claire, Joey Silvera
. Eva Flowers, Tammi Ann, Tom Byron

Plot: None, just four sex scenes.

The Talent:

Heather St. Claire.  Statuesqe blonde.  Fairly attractive face.  Nice body.
I like.  Has two good scense.

Juli Ashton.  Billed as Juli Austin.  Looking rather plain, but giving
a good performace.

Norma Jeane.  Dark-haired version.  I like.

Michaela Adkins.  Who?  Somewhat cute, but not very memorable brunnete.

Tammi-Ann.  Slim short-haired blonde.  Very hot.  Not really used to best
            advantage here.  Her scene seemed pretty weak.

Eva Flowers.  Slim, exotic-looking dark-haired girl.  Good contrast to
Tammi.

Comments:

I'm not a big anal fan, but I generally like Borsky.  He has done some very
good work.  This is definitely better than his most recent stuff, but it's
not his best either.

It earns bonus point for early appearances of Juli Ashton and Norma Jeane.
All the women are much hotter than the second-string females Borsky has
been using lately.

Unfortunately the copy of the tape I rented was fucked-up.  It didn't clear
up to most of the way through the second scene, which is too bad because
the first and second scene look like the hottest (of couse this may
be a case of the grass being greener).

Wish list:

1) I wish Borksy wasn't didn't concentrate so much on anal sex.

2) I wish the scene were shorter and more focused, and that the were
   more of them on each tape.  The trend seems to be just
   the opposite, though.  Recent tapes only have 3 scenes plus
   a trailer with previews of other videos.

3) Wish he'd make some movies in his Alex DeRenzy mode.

Summary:

A decent rental.  I'd rent it again just to get a clear view of the first
and second scene.


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