|
From: [email protected] (Missy Manners)
Innocence: Candy Girl Cast: Holly Hollywood, August, Loni, Amythest Stone, Red Heaven, Cheyne Collins, John West, Eric Masterson, Alex Rox, Kris Slater
Reviewed by Oranje I saw that Michael Ninn had his own production house now. That, my friends, as you will see with Innocence: Candy Girl, is a very, very good thing. One thing you should know is that Ninn was meticulous as a director, as anyone that saw Decadence or one of the Diva films would know. It seems that Halle Vernderhyden is in the same school, as this is one of the most patient, thorough jobs I have ever seen on a film. The set itself consists only of a few pieces of furniture, different for each scene. Otherwise, the background is all white, as is the floor. As a result, the lighting is down right spectacular, and the picture quality really is a tribute to the digital format. And with August as a star? Wow. This girl has come a long way from the Chica Boom series, and she deserves it. Contract starlet surely must be just around the corner. She has quite a pleasant look about her, and she clearly cares a great deal about her body. The scene opens very much as a Diva scene. August flaunts her body for his, which is, needless to say, abundantly wonderful. She has amazing legs, and they are accentuated by the heels she's in throughout the scene. Seated in a giant puffy chair, she fingers herself for a good long time. If that's your thing, you'll have plenty of time to finish without scanning further back into the scene. Then out comes a giant pink toy, and she lubes it on up. I'm usually not one much for toys, but this one is different. She works it as though there's no camera there, even though she is in constant eye contact with the lens. The camera also frequently rotates around the set, and the angles and fades are quite artistic. We fade to white and return to the same setting. This time there's a guy sitting in the chair, and a reclothed August is orally taking care of him. And again, this goes for quite some time as well. Very thorough, and as she's a champ at it, there are no complaints. He's not quite massive, so she makes some good work of swallowing pretty far down. The roles are reversed, and there's a marathon pussy eating session. Very nice, though I would have liked to see him dig in a bit further. It seems passionate but not active, if that makes sense. Everything here is passionate, it's just a bit restrained. Show this one to your artsy snob friends and they'll probably be impressed. Actual sex positions are limited, but they're good. August is bent over for most of it, and we get a great survey of her body throughout. Those legs, the young breasts, her wonderful face. Great stuff. And she does take a great facial at the end, too, which is not at all hard on the eyes. We get a couple of angles to enjoy, and plenty of time afterward to watch her. There's no impatience, no rush to fade to the next scene or run to the towel to clean up. And this kind of patience is something that is sorely lacking in many other productions. Vanderhyden makes a statement toward perfection, as August does in a different way. It's wonderful stuff. And that's just the first scene on the first disc, folks. It really is that good, though I'll leave the other scenes up to you. You'll know if it's what you want. If you're in the mood for gonzo anal, look elsewhere. Plot porn? Not here. This is art, folks, and it is to be appreciated in every way. The drawback is that the first disc only has a button to start the movie. No chapter stops on this disc, which is a bit of a bummer. The first disc has the first three scenes, with the other two, the photo gallery, and the production notes on the second one. You have to be patient here, and with my constant complaining about multiple angle features making the viewer do the director's job, I'm really not bitching. You have to be in the mood to sit down and appreciate it, but it's well worth it for those times. Get it.
Reviewed by Oranje
|