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Newsgroups: rec.arts.movies.erotica
BANGIN' IN DA HOOD #3 Here's another piece of junk from Wood who explains at the end that the "Hood" doesn't just mean black girls but includes Hispanic, Oriental, and just about everyone else. He also waffles on about the problems of financing {#4} and mentions using unemployment compensation to fund it. I presume his own. So much for the mega-bucks these movies are supposed to bring in. Wood is one of the people in the industry who is incapable of producing a pleasant passionate scene so I don't expect much but I do think they could at least use attractive girls. All of this lot are mothers with the characteristic loss of belly muscle tone and sagging tits except perhaps Promise who's too fleshy to tell. Carmen has a pretty face and a tight waist and probably would have been attractive before she whelped. The rest? Useful holes in real life if you happen to be desperate but not fantasy objects. Chloe has a passable face, shoulder length blonde hair in a pony tail, small tits, large tattoo left tit, very light skin, shaven pussy and a prominent treasure trail. She picks up Wood and Pete whose car has broken down and takes them back to her apartment to use the phone. Later we see Wood arranging towing on his cell phone so just why did he need to use a land line? Chloe says that the two run the risk of being shot in the ghetto to which they gravely agree. Bullshit! Nowhere in LosA that I've seen matches NYC's ghettos and in this movie they're wandering around in broad daylight. No groups of teenagers on the street spoiling for a fight. These two fools run more of a risk of being hit by a car than any violent encounter. Typical white suburban fear-mongering! Anyway they share Chloe in a boring scene including a DP. Pete and Chloe disappear and now Wood is trying to negotiate a tow truck but they'll be at least an hour. Carmen, Chloe's roommate, joins him and helps him pass the time by letting him screw her. She has a pretty face, shoulder length brown hair, droopy medium tits, nice smile, tight waist, some butt cellulite, very light skin, and a trimmed but still very hairy pussy. Mercedes (see {B.B.G.: Black Bad Girls #9)--older, hefty, medium/large tits, bulging belly, marginal face) is doing her laundry when Surewood turns up and he's so handsome (gag!) that she lets him screw her in another boring scene. Tony takes Wood to the home of Promise where they find her sunning herself in the backyard (why would black girls need to sun themselves?) but as soon as he arrives they go inside and Tony screws her. Promise has dark skin, long straight black hair, medium tits, shaven pussy, and a getting-thick body. Wood goes to a self-service car wash and meets Vanessa who has run out of quarters and can't finish washing her car. He offers to take her home where he thinks he has a bag of quarters and she readily agrees but when they get there the price of the quarters seems to be to screw Wood so that's what happens including an anal. What as silly, lame, unbelievable excuse! Vanessa is Hispanic and as black as I am. Unlike me she's a mother with droopy small tits, some tattoos, and a petite body and can be seen in {All About Ass #9}. Performance-wise she's actually the best of the lot but that's not saying much. All scenes end in facials and no condoms were used. Dates of production: 6/11/02, 6/12/02, 6/14/02, 6/18/02. Patrick Riley You want the truth, read my reviews: you want advertising copy, read others.
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