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Newsgroups: rec.arts.movies.erotica
Subject: REVIEW: Gina Wild 4
From: "Addict" <addicted@webmail.co.za>
Reply-To: addicted@webmail.co.za
Date: Wed, 05 Feb 2003 10:35:47 EDT
Title: Gina Wild 4: Durchgefickt ...jetzt wird's shmutzig 4
Director: Harry S. Morgan
Production Company: Videorama
Year: 1999
Girls: Gina Wild, Natasha, Ingrid Swede.
Guys: Karim, Rainhard Ebert, Dirk Schmitt, Bent Borg, Conny Dach,
Henry van Damp, Omar Williams
and Harry S. Morgan (!).
Good actor ID.
No condoms used.
Running Time: 67 mins
A CD-copy of this vid has been bouncing around for the last couple of
years, and since it does not seem to be listed on RAME or the IAFD at all, I decided to do a
review for it. Obviously, since I'm reviewing a digital copy of it (possibly from a
DVD original), I cannot accurately comment on the actual quality of the footage, though it
appears to be decent at all times. Since this is a Harry S. Morgan vid, euro-porn lovers should
know what to expect, however those looking for fisting, watersports, enemas or any other staple of
pure Euro-porn will be sorely disappointed. Even the production quality evident after the
first few seconds makes it look like the European equivalent of a Vivid or Wicked affair, but
thankfully it isn't. ;)
The guys are mostly the usual Harry S. Morgan suspects, or else
ex-contract goons from mid-90's Private movies. The director himself appears in this one, but
in a non-sex role (and as it should be, since he really is too old now). Naturally it is in
German, except for a few lines here and there (see below), so the plot (such as it is) largely
falls by the wayside for most viewers outside of Germany.
The IAFD unfortunately has little or no info on the two main stars
involved, so here's what I can make out. Gina Wild is a cute honey-blonde with amazingly full
yet perky tits (must be fake, but I don't see any scars - perhaps the cuts were done
underneath), and looks to be quite short, maybe 5 foot 5 inches, with an average complexion (a
light tan). She is obviously German. Ingrid Swede is a very hot, very busty girl with long, pale
blonde hair and a voluptuous, tanned body. No prizes for guessing her country of origin.
:) The third girl, Natasha is a (dyed?) gingery-blonde with a very tanned and slim body,
nice medium-sized tits, a tongue-ring and a large tattoo on the lower-right side of her belly.
Her looks are strictly average, but her performance more than makes up for this. From her
high cheek-bones I would say that she was from Northern Germany or even Denmark. She has worked
a fair bit in Euro-porn and I think I remember seeing her listed on the IAFD.
Scene 1: Gina Wild and Karim/Ingrid Swede and Conny Dach
The movie opens with a split scene (hate it when they do that!), with
titular Gina Wild in the
shower with coloured Frenchman(?) Karim (a Euro-veteran and ex-Private
stalwart, as seen in
Private Triple X 10, Helen Duval's Diamonds series and Voyeur 10,
amongst countless others),
as a cellphone rings unheeded. We cut to the other scene, inside a
lounge of sorts, in which
weaseley-looking Conny Dach is trying to call the aforementioned duo,
whilst platinum-blonde
Ingrid Swede looks on. We cut to Gina and Karim in the shower again,
and after some brief soapy
foreplay, Gina begins sucking cock, soap and all. With a quick cut (as
in all H.S. Morgan
videos - remember "they have to be under 90 minutes"!) we see Karim
giving Gina a quick titfuck
(yes!), followed by a standing fuck. For the most part,
medium-close shots are used.
Gina then blows Karim again, then she rides him cowgirl until she cums
rather noisily, at which
point we cut to the other couple. Dach gives Ingrid some champagne,
and she thanks him in
english as he babbles away in German. After clumsily spilling some of
the champs on Ingrid's
legs, she invites him to clean it off by lapping it up (Sure, women
usually react that way
when you spill shit all over their clothes :). Of course, he's soon
eating her pussy out, plays
with her tits, before we return to Gina and Karim. He takes her in a
modified standing-doggie,
with mostly medium shots used. We cut again to Ingrid being fingered
and rimmed by Dach, and
before she blows him she urges him with "C'mon baby", which she
proceeds to use thru-out the
scene. After the brief blow-job he tells that he wants her "ass", and
some more amusing dialogue
follows before he does indeed fuck her her arse, in reverse-cowgirl.
She continues to urge him
on, and after only 30 seconds of this (doh!) we cut again to Gina and
Karim.
She gets down on her knees to give a double-handed blowjob (for those
that care about such
things) before climbing onto Karim so that he can fuck her in the arse
too. (Note: None of
the initial penetration shots are shown). A mixture of close (but not
too much of the dreaded
"close-up") shots with full-body shots are used. Gina dismounts to for
what would have been
an A2M cumshot but a quick cut ruins any chance of that. He cums on
her tongue, and she
gives him some post-cum head. We return to the other scene with Ingrid
getting arse-fucked in
a modified missionary position (the exact term for this escapes me),
still exhorting Conny Dach
with "C'mon baby, fuck my ass!" :). Another possible A2M is lost with
a quick cut to a strange
shot, before she wanks him to a (mostly missed) facial cumshot. The
scene closes with her
giving him some brief post-cum head. Note: Her breasts stay covered
almost thru-out the scene.
Scene 2: Natasha and Rainhard Ebert
Ingrid drives over to Karim's place, he greets her dressed in a towel.
Meanwhile, Gina (now
dressed), takes a phone-call, before meeting with Ingrid, after which
they leave. We cut to
some sort of studio where the dubbing editor (played by Euro-veteran
Rainhard Ebert) watches
a scene in which Gina is being fucked by Henry van Damp(!). We then
watch Gina "dub" herself.
Two questions occur to me: 1) Why do they do use dubbing in nearly all
Euro-porn? and 2) Is this
scene indicative of Morgan's standard production procedure? Ebert
seems extremely tired as Gina
(literally) goes thru the motions, and after about ten seconds he
stops her, apparently due
to her lacklustre performance. This is where things get a bit
confusing. He gives Ingrid a
dildo, presumably to improve Gina's performance, at which point we cut
to Natasha, who is
standing next to a paused TV in a room (presumably in the same
building) with Conny Dach.
As soon as she presses play, we suddenly cut to Natasha dildoing
herself in the studio next
to Ebert, who appears to be whacking off to the footage he's supposed
to be editing,
blissfully unaware that Natasha is right next to him (- a dream
sequence then?). After
diddling herself she briefly blows him and gives him a two-fisted
hand-job, before climbing
onto his lap for some hard cowgirl action, with a mixture of full-body
shots and close-ups.
She then sucks his cock for awhile, before climbing aboard again. They
then move to a modified
standing doggie, after which Ebert sits down and Natasha this time
impales herself anally
upon his cock in reverse-cowgirl (with close-up of the insertion). The
action is quite hard and
fast (although the camera seems to linger on her face most of the
time), and the blooper which
is seen in the end credits, where Natasha and Ebert slip off the
office-chair while having anal
sex occurs somewhere here. (Needless to say, Ebert does not look
pleased, while she laughs and
laughs... hmmmm).
They switch to modified RCA, most of which is wasted in a
close/close-up shot, before changing
to a standing doggie anal, with the standard "below" shot. He cums a
Randy West-style ghost
cumshot close against her arsehole and pussy, though cum can be seen
dripping when he pulls
back; he briefly reinserts both vaginally and anally. She whips round
for some A2M sucking,
and the scene ends.
Scene 3: Gina Wild, Ingrid Swede, Rainhard Ebert, Dirk Schmitt and
Bent Borg
Ingrid and Gina are seen talking, Ingrid again in broken English, and
Gina in German. The two
ladies then tart themselves up (especially Ingrid - fuck-me boots and
all), and go walking down
the road at night, only to be noticed by three mechanics having drink
at a garage. (With Ebert
playing a separate character here, Morgan was obviously trying to
cut-down on actor's fees).
Being the delectable tart that she is, Ingrid walks right up to the
trio and introduces herself
and Gina, inviting them to fuck her within about 10 seconds (only in
porn... :). Naturally,
Ebert is quick off the mark; the other two (neither of whom I
recognise) follow his lead. As
before, Ingrid's dialogue is priceless. Ingrid is eaten by Schmitt,
Gina takes a cock in each
hand, then Ingrid goes down on Schmitt. Ebert feeds Gina beer before -
don't blink - she sucks
on his cock for all of 2.17908036 seconds (for god's sake...) :(.
Suddenly we cut to Gina ramming her body down with full force upon
Ebert's cock in her arse,
with nice zoom-out/full body shot - much better. They slip down for
some RCA, then we get a
close-up of Gina shoving two fingers in her cunt with Ebert's cock up
her arse - this was
apparently too much for him as he cums loudly as soon as he pulls out
of her. As in the
previous scene, he returns to her anus for some brief post-cum
fucking. Meanwhile Ingrid jerks
off both Schmitt and Borg, asking for them to cum in her mouth - and
of course they both cum
on her face instead (seen enough cumshot endings of this type). She
does, however, give each
some brief head immediately thereafter. Ingrid seems to have been
wasted in this scene - two
guys and all we really get is a blowjob and two cumshots - call me
picky, but where the hell
was the fucking? Note: Both women remain more or less clothed thru-out
the scene.
Scene 4: Gina Wild and Henry van Damp
Oh well, I guess there was no escape. The scene opens with van Damp
reading a mag on a porch
of some sorts, and Gina walks up to him dressed in blue bikini. She
looks good. van Damp,
unfortunately, looks like van Damp. (You can obviously guess that I'm
not his greatest fan).
In addition to this, this scene appears to be the one Ebert was
supposed to be editing in
Scene 2. After he charms her on his lap (ugh!), he lays her on her
back on the table before
them, and then briefly eats her out, before fucking her. After a
minute he lifts her rear up
and continues where he left off, then he tongues her arsehole while
she moans her approval,
before sticking a fingering in to her tight hole. He actually tastes
his finger (not that
common in porn these days, a kind-of female to male A2M) before
returning to the analingus.
At this point the anal play ends and they swap positions so that she
can blow him; she also
plays with his cock and a strawberry for awhile. She then climbs on
board for some cowgirl
action, they swap positions with her facing away, during which time
she brings herself to
climax. She blows him again, then teases him by backing off to touch
herself a short distance
away, which leads to a shot of van Damp slamming his ham in
anticipation. Why on earth Morgan
chose to linger on this shot I don't know, but this sort of thing
always tends to crop up
when van Damp is in one of his films. van Damp then takes her from
behind against a pillar,
after which she sucks him off to climax, resulting in a decent facial.
End of scene.
Scene 5: Gina Wild and Omar Williams
Omar Williams is a British black man sometimes seen in Buttman and
Rocco vids, and he now has
his own line. This scene just starts with him clutching the naked
Gina's awesome tits in some
sort of studio. What follows indicates that this was mean't to be the
sort-of fetish scene of
the movie. Morgan appears to be sitting in the studio viewing the
action on a monitor. Some
sort of "romantic music for young lovers" permeates the scene - crap!.
They begin painting
each other's body-parts - so I guess this IS the "arty" scene - and
they spend the next few
minutes doing this, while the Kenny G muzak sends me to sleep.
Thoroughly covered in paint,
they begin fucking. Somehow, Gina seemed more attractive before she
decided to cover herself
in a mix of red, green, white, blue, yellow and black paint, but maybe
I'm just narrow-minded.
Thankfully the action improves a hundred-fold. He takes her in doggie,
then in side-saddle,
then modified side-saddle, followed by cowgirl. He then gives her a
solid pounding in
missionary, then they swap places and she rides on top. He fucks her
quite hard, and this is
easily the best (and longest) fuck on the tape. Omar then flips Gina
on her back to deliver a
large facial cumshot which runs just past her mouth and down her
cheek.
Scene 6: Natasha and Conny Dach
For the final scene, we cut to Dach in the same office we saw him in
earlier (scene 2), with
Natasha still watching the tape. Dach comes over and "seduces" her -
within about 1 minute
she is sucking his cock (ja, right). After a fairly long blowjob (4
mins - that's a looooong
time in this movie!), Dach briefly takes her in doggie, then in
side-saddle, followed by the
inevitable reverse cowgirl. She gets up and changes to regular
cowgirl, and he responds by
getting up and fucking her in standing cowgirl, but only briefly,
before putting her down on
her back. He fucks her until he pulls out and she sucks/wanks him to
orgasm, cumming on her
tongue, and she gives the now obligatory post-cum head. Dach then
looks up and notices the
camera, and talks to it, as the scene ends. Note: The credits roll and
the aforementioned
blooper scene is shown twice - the second time in slow-motion.
Summary:
Well, I've already said a lot. However, two facts are inescapable 1)
There are only 3 women
in this video (!!!) and 2) The whole thing is barely over an hour, and
that includes the
intro and blooper. Most of the scenes move too quickly with awkward
cuts - most of the time,
you'll be mid-stroke when a scene changes or ends. Also, Morgan's
trademark slow-mo shots
occur in every scene, so for those who hate them, it would be best to
avoid this flick. So,
value-for-money wise, I guess it's not really a good buy. That said,
all the women featured
are very hot, especially Gina and Ingrid, whilst Natasha more than
makes up for her lack of
star looks by her nastiness and enthusiasm. The first two scenes are
easily the best of the
bunch, tho scenes 3 and 5 are also decent. The video quality is also
generally very good.
Personally though, I would have preferred to have had four longer,
better scenes to fill out
the 90 minutes, as opposed to six good-to-weak scenes. If you have to
get this movie, get it
for Gina Wild or Ingrid Swede (the latter does not appear to have done
much in porn - a
crying shame!) both of whom lift this movie out of the doldrums.
I give it 3 out of 5.
Addict
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